Signs of the Artist: Signatures and Self-Expression in American Paintings

$22.00 CAD

pp. 204, “Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding—an eminent historian of American art—explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within thepictorial space of the painting. A painter’s name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes.

After providing an overview of signatures in European art, Wilmerding looks closely at American painting. He argues that by placing a signature within a painting the artist may be making an explicit association with the setting or situation depicted. He demonstrates that such signatures or inscriptions can be viewed as fragments of autobiography or as concentrated glimpses of self-representation. Beautifully designed and handsomely illustrated, this book brings into focus the myriad and complex meanings of artists’ signatures and is of interest to anyone who admires and studies American art and culture.”

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Book Information

ISBN13 9780300097795
Number of pages 204
Original Title Signs of the Artist: Signatures and Self-Expression in American Paintings
Published Date 2003
Book Condition Very GOod
Jacket Condition Very Good
Binding Hardcover
Size 4to
Place of Publication New Haven
Edition First edition
Category:
Author:
Publisher:

Description

pp. 204, “Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding—an eminent historian of American art—explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within thepictorial space of the painting. A painter’s name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes.

After providing an overview of signatures in European art, Wilmerding looks closely at American painting. He argues that by placing a signature within a painting the artist may be making an explicit association with the setting or situation depicted. He demonstrates that such signatures or inscriptions can be viewed as fragments of autobiography or as concentrated glimpses of self-representation. Beautifully designed and handsomely illustrated, this book brings into focus the myriad and complex meanings of artists’ signatures and is of interest to anyone who admires and studies American art and culture.”

Additional information

Weight 1 kg

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