The Musical Dilettante: A Treatise on Composition by J. F. Daube (Cambridge Studies in Music Theory and Analysis)

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pp. xiii 286.”This is the first English translation of Johann Friedrich Daube’s Musical Dilettante: A Treatise on Composition (Vienna, 1773). Written as a practical, comprehensive guide for aristocratic dilettantes wishing to compose instrumental chamber music for their social entertainment, the treatise covers genres from duets to double fugues, and includes the earliest instruction in string quartets and idiomatic orchestration of symphonies. Daube’s Musical Dilettante has long been overlooked due to his better-known Thorough-Bass in Three Chords (1756). Nevertheless, Musical Dilettante is the keystone of Daube’s theoretical writing, and offers the most comprehensive view of galant composition available in a single volume. The signature of Musical Dilettante is its unique textural emphasis and Daube’s examples sparkle with concertante interplay, conversational part-writing, and idiomatic instrumentation. The volume includes an introduction to Daube’s life and theoretical works and a bibliography. It will be of interest to students and scholars as well as performers.”remainder mark on the base of the book

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Book Information

ISBN 0521365643
ISBN13 9780521365642
Number of pages 286
Original Title The Musical Dilettante: A Treatise on Composition by J. F. Daube (Cambridge Studies in Music Theory and Analysis)
Published Date 1992
Book Condition Very Good
Jacket Condition Very Good
Binding Hardcover
Size Larger 8vo
Place of Publication Cambridge
Edition First Edition
Category:
Authors:,
Publisher:

Description

pp. xiii 286.”This is the first English translation of Johann Friedrich Daube’s Musical Dilettante: A Treatise on Composition (Vienna, 1773). Written as a practical, comprehensive guide for aristocratic dilettantes wishing to compose instrumental chamber music for their social entertainment, the treatise covers genres from duets to double fugues, and includes the earliest instruction in string quartets and idiomatic orchestration of symphonies. Daube’s Musical Dilettante has long been overlooked due to his better-known Thorough-Bass in Three Chords (1756). Nevertheless, Musical Dilettante is the keystone of Daube’s theoretical writing, and offers the most comprehensive view of galant composition available in a single volume. The signature of Musical Dilettante is its unique textural emphasis and Daube’s examples sparkle with concertante interplay, conversational part-writing, and idiomatic instrumentation. The volume includes an introduction to Daube’s life and theoretical works and a bibliography. It will be of interest to students and scholars as well as performers.”remainder mark on the base of the book

Additional information

Weight 0.71 kg