$15.00 CAD
pp. 223, “While agreeing that the “digitization” of the cinema is inevitable, and even a necessary adjustment to the economic realities of end-of-the-millennium cinema production, Dixon argues that it represents a fundamental representational shift in the relationship between the spectator and the image-production apparatus of the cinematograph. More than ever all visual input is merely raw material which is then subjected to digital “polishing” and “tweaking” until it attains a sheen of artificial splendor that is utterly removed from the photographic reproduction of the object and/or person originally photographed.”
In stock
| ISBN | 791437825 | |
|---|---|---|
| Published Date | 1998 | |
| Book Condition | Very Good | |
| Jacket Condition | No Dj | |
| Binding | Paperback | |
| Size | 8vo | |
| Place of Publication | Herndon, Virginia, U.S.A. | |
| Category: | Film/Drama | |
| Author: | Wheeler Winston Dixon | |
| Publisher: | State Univ of New York Press |
pp. 223, “While agreeing that the “digitization” of the cinema is inevitable, and even a necessary adjustment to the economic realities of end-of-the-millennium cinema production, Dixon argues that it represents a fundamental representational shift in the relationship between the spectator and the image-production apparatus of the cinematograph. More than ever all visual input is merely raw material which is then subjected to digital “polishing” and “tweaking” until it attains a sheen of artificial splendor that is utterly removed from the photographic reproduction of the object and/or person originally photographed.”
| Weight | 1 kg |
|---|
