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pp. 386, “Unsettling Encounters radically re-examines Emily Carr’s achievement in representing Native life on the Northwest Coast in her painting and writing. By reconstructing a neglected body of Carr’s work that was central in shaping her vision and career, it makes possible a new assessment of her significance as a leading figure in early-twentieth-century North American modernism. Gerta Moray vividly recreates the rapidly changing historical and social circumstances in which the artist painted and wrote. Carr lived and worked in British Columbia at a time when the growing settler population was rapidly taking over and developing the land and its resources. Moray argues that Carr’s work takes on its full significance only when it is seen as a conscious intervention in Native-settler relations. She examines the work in the context of images of Native peoples then being constructed by missionaries and anthropologists and exploited by promoters of world’s fairs and museums.”