$90.00 CAD
pp. 219, b/w plates, “In Britain in the high middle ages women played an active and significant role as artistic patrons. This study considers who these women were, their social status, the sources of their wealth and their motives for acting as they did, in addition to examining the various buildings, tombs and artefacts which they commissioned. Their piety, interests and concerns, and the cultural and social context of their lives are discussed in the context of the evidence offered by surviving buildings, tombs, manuscripts and seal impressions, together with relevant wills, documents and contemporary texts. LOVEDAY LEWES GEE was formerly photograph librarian in the history of art department, University of Warwick.”
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| ISBN | 0851158617 | |
|---|---|---|
| ISBN13 | 9780851158617 | |
| Number of pages | 219 | |
| Original Title | Women, Art and Patronage from Henry III to Edward III: 1216-1377 | |
| Published Date | 2002 | |
| Book Condition | Very Good | |
| Jacket Condition | Very Good | |
| Binding | Hardcover | |
| Size | 8vo | |
| Place of Publication | Woodbridge | |
| Edition | First Edition | |
| Category: | British History | |
| Author: | Loveday Lewes Gee | |
| Publisher: | Boydell Press |
pp. 219, b/w plates, “In Britain in the high middle ages women played an active and significant role as artistic patrons. This study considers who these women were, their social status, the sources of their wealth and their motives for acting as they did, in addition to examining the various buildings, tombs and artefacts which they commissioned. Their piety, interests and concerns, and the cultural and social context of their lives are discussed in the context of the evidence offered by surviving buildings, tombs, manuscripts and seal impressions, together with relevant wills, documents and contemporary texts. LOVEDAY LEWES GEE was formerly photograph librarian in the history of art department, University of Warwick.”
| Weight | 1.1 kg |
|---|
